tag:blogger.com,1999:blog-8613902890681868820.post480014968880679019..comments2023-11-27T03:48:51.986-05:00Comments on Howard Pyle: Pyle’s Post-Publication Changes, Part 2Ian Schoenherrhttp://www.blogger.com/profile/04906881923887306477noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-8613902890681868820.post-4505297870300179432019-02-13T18:54:08.171-05:002019-02-13T18:54:08.171-05:00I'm currently reading through Andrew Loomis...I'm currently reading through Andrew Loomis' Creative Illustration. In it, there's an alleged excerpt from Howard Pyle in which he states:<br /><br />"1.Halftones that carry an impression of texture and color should be relegated to the province of light, and should be made brighter than they appear to be. 2. Halftones that carry an impression of form should be relegated to the Anonymoushttps://www.blogger.com/profile/05554553658689728849noreply@blogger.comtag:blogger.com,1999:blog-8613902890681868820.post-48684131454603471042011-07-17T12:02:37.237-04:002011-07-17T12:02:37.237-04:00I think it is pretty clear that the magazine engra...I think it is pretty clear that the magazine engraver did not give an accurate sense of the original picture. In the areas that do not change between the original and the painted revision, the second engraving is plainly closer to the last one.<br /><br />It is very interesting to see how much Pyle learned between 1889 and 1892. From this example, it seems to me that in 1889 he's still kev ferrarahttps://www.blogger.com/profile/09509572970616136990noreply@blogger.com