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The reproduction above was engraved on wood by Frank H. Wellington, who, you may recall, also engraved Pyle’s equally Thomas Wilmer Dewing-esque “Thereupon the poor woman screamed aloud, and cried out that he was a Murderer” several years later. Wellington was particularly adept at capturing the softness or murkiness of Pyle’s atmospheres.
Note of June 8, 2014: Since writing the above, I’ve learned that the author herself owned Pyle’s painting - along with many of the other illustrations made for her poems - and following her death her collection of 119 originals was bequeathed to the San Francisco Art Association / Mark Hopkins Institute of Art in 1896. But then the 1906 earthquake happened and, according to Wikipedia, “Accounts differ regarding how much of the collection [the entire collection, not just the Toland bequest] was saved from the 1906 fire.” So whether the Pyle survived, or wound up in another institution, is an open question.