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Pyle must have painted the original (which is still out there, somewhere in the ether) in oils - probably on illustration board. The reproduction shows how much mileage his work could get from even the most rudimentary two-color printing. It also shows the strong Japanese influence on his art: the high horizon line, the flattened space, the absence of shadow, and so on. The "Japonisme" of Howard Pyle is not often acknowledged, but it certainly shows up again and again from the late 1870's onward.
I grew up a few miles from New Hope, Pennsylvania, the once-quaint village in Bucks County on the Delaware River. But, like it or not, Howard Pyle's "New Hope" is in Rhode Island.
1 comment:
great insights! not to mention the strong diagonal!
interesting to me, it's even more obvious in the work of his students, but he was such an early proponant that that's not so surprising.
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