When it comes to pictures, I am particularly fond of oblong compositions - especially oblong horizontal compositions. Is it from watching so many widescreen films? Is it something I'm genetically predisposed to, something I inherited from my father? It doesn't matter. But here is an oblong Howard Pyle that has undeservedly slipped through the cracks - that is, unless you have the August 1901 issue of McClure's Magazine handy. It's an untitled illustration for "The Chase of the Tide" by Norman Duncan, and weighs in at a mere 5 x 1.7 inches. The printing isn't great and the halftone (which shows the hand of an actual, human engraver, who has retouched the sky and bits of the boat) is murky, but the abstract wonderfulness of the picture shines through. As you see, words fail me.